Thumbnail Placeholder

Alfred Hitchcock’s Rear Window

Nobody keeps you in suspense and surprise in the same breath as masterfully as Alfred Hitchcock. His films explore the guilty pleasures of mankind. Though the surprise is not as memorable as the suspense, it still lingers to keep you wide-eyed and craving for more. And Rear Window, which is about a man looking...

Thumbnail Placeholder

Yorgos Lanthimos’s The Favourite

Yorgos Lanthimos’s exceptional and piercing attention to detail gives his film, The Favourite a rare quality. It’s upsetting but in a graspable and interesting way. It’s riveting but without the typical character arcs that makes a drama and comedy film entertaining. I want to dissect each aspect of the film to illustrate its beauty...

Thumbnail Placeholder

Stanley Kubrick’s A Clockwork Orange

Choreographing movement is everything. If you’ve seen most of Kubrick’s films, you’ll understand the emphasis on diagramming – actors, objects, and the spaces in between. It’s a strong reason to want to watch a film. Especially if it’s a film as messy, sadistic, and verbally vague like A Clockwork Orange. Based on Anthony Burgess’s...

Thumbnail Placeholder

Spike Jonze’s Her

The intricate relevancy of Her in all its brooding loneliness asks us to modify our perception and our yearning for intimacy. When Jean Paul-Sartre wrote, “Nothingness lies coiled in the heart of being – like a worm.” It’s true that to exist, which in the times of Her, could be intuited as a nauseating...

Thumbnail Placeholder

Ronny Sen’s Cat Sticks

Shot in cut-throat black-and-white, it’s hard to shut your eyes to Ronny Sen’s inviting, bold, and definitive film about addiction. Capturing the solemn streets of Calcutta where time seems out of focus against the stinging effects of the night that inhabits it. Cat Sticks follows a structure that is not limited to the dark...