Spirited Away (2002) – Hayao Miyazaki

Spirited Away is considered as Hayao Miyazaki’s magnum opus. It strips quintessential animated films of its emphatically exaggerated genre. While Miyazaki brings this film a little more down to earth; embracing a mystical and profound manner. The film draws its essence from its monumental conception. The stringing together of microscopic elements; a brilliant stroke of genius in imagination and creativity.

Spirited Away considers the universe as it is. And that is in its infinitesimal and varied format. It’s a film about sensibility, empathy, and philanthropy. A reverie which reflects the generous aspects of human nature up against the most repulsive. Untranslated feelings, a dictionary of characters, and lyrical affectations later, this film holds its lighthearted tone from beginning to end.

If you allow it, this film can fill you up with a sense of whimsy and wonder. Sometimes explicitly, sometimes in whisperings, and sometimes in anguish. Spirited Away has a way with both its characters and words. It’s like paying attention to the night sky spotted with stars; each star demands attention so you can never forget their luminous glow even if it’s not a part of this world… or yours.